Dining in Amsterdam: Kaagman & Kortekaas

A metal sign displaying the letter 'K' hanging on a brick wall, with sunlight casting shadows.

Kaagman & Kortekaas is the restaurant of chef Giel Kaagman and host Bram Kortekaas, tucked away in a narrow street right in the very touristy downtown area of Amsterdam, near Dam Square. The restaurant’s motto is “Courageous cuisine. Natural craftsmanship. Celebrated hospitality.” They serve a set 4, 5, or 6-course chef’s menu for 69.50, 79.50, or 89.50 euros. The menu is inspired by nature, featuring plenty of vegetables along with meat and fish, though vegetarian options are also possible. True to their ethos, they like to use everything “from snout to tail”.

Interior view of a modern restaurant featuring an open kitchen, wooden bar seating, and diners enjoying their meals.

There is an extensive wine list with bottles available, or a wine pairing priced at 11 to 14 euros per glass. Because the “courageous” flavors go all over the place, pairing a single bottle across the entire meal is practically impossible. Having heard good things about the restaurant, I decided to give it a try, ordering five courses with the wine pairing. Tables are placed around the open kitchen at the center of the restaurant, which also features bar seating with an intimate view of the cooking.

A close-up of a wine bottle label featuring 'Domaine Christophe Mittnacht, Terres d'étoiles' and 'Alsace Crémant extra brut.' The label has a minimalist design with two overlapping circular patterns.

We started with a glass of “bubbles” (no specification was provided when asked if we would like a glass to start with), which turned out to be a nice Crémant from the Alsace from an unusual blend of 44% Auxerrois, 29% Chardonnay, 9,5% Pinot Noir, 13% Riesling, and 4% Pinot Gris, aged 24 months on the lees after the second fermentation in the bottle. Even though the Pinot Gris was only 4% of the blend, the ripe fruit aromas seemed to come from that variety and make it seem less dry than the “extra brut” would indicate. We couldn’t tell this was made as a natural wine as the aromas were very clean and fruity.

A round plate featuring two small bowls of green sauce and three sesame-coated balls alongside red sauce drizzles.

The bites were really nice: a bao bun covered with sesame seeds and filled with braised veal tongue, and a cream of the skin of the watermelon of the first course with with Huacatay oil (black Peruvian mint).

A person holding a wine bottle with a red label featuring a heart design and the word 'beijo' printed on it.

The first wine was a light-bodied, aromatic red from Sardinia, made from a field blend of ten different black and white grape varieties cofermented to produce a remarkably fragrant wine with aromas of violets and strawberries.

A elegantly plated dish on a large, red-accented plate, featuring a small serving of food topped with a golden, crispy garnish, surrounded by dining utensils and glasses of wine and water.

It was an excellent pairing for the first course: watermelon ‘carpaccio’ with black summer truffle, parmesan, and water mint, alongside a pine nut sorbet served on the side. This was certainly a courageous combination of flavors, but it worked deliciously, offering a wonderful contrast between the tender, mildly sweet watermelon and the salty, crunchy parmesan, complemented by the earthy truffle and fresh mint. The wine was a brilliant match, easily handling both the sweetness of the watermelon and the overall complexity of the dish.

Close-up of a wine bottle label featuring 'Jülg vom Kalk Riesling 2024' with a detailed coat of arms design.

After this great start, the second wine proved a bit disappointing: a crisp Riesling from the border between the Pfalz in Germany and Alsace in France. Its aroma was distinctly herbaceous, leaning more toward a Sauvignon Blanc than what you would typically expect from a Riesling.

A gourmet dish presented on a green plate, featuring a small portion of food topped with a light green foam, garnished with herbs.

It did not really work as a pairing for the tartlet with chanterelle mushrooms, eggplant, hazelnut, and oyster leaf, topped with a foamy oregano sauce. The dish was simply too creamy for the wine, making it seem overly lean by comparison. The dish however was superb.

A close-up of a wine bottle label featuring an artistic illustration of a serene landscape with trees and a pathway, and the name 'Destellos' prominently displayed.

The next wine was a dry white from the Sherry region, made from Palomino (the principal grape of Sherry) and a bit of Arinto (a Portuguese variety). Clearly, it is not just the cuisine here that is courageous, but the wines as well. It was extremely reductive, with a powerful sulfur aroma—an intentional choice by the winemaker, who fermented the unclarified must in what is technically known as a high-solids fermentation. While I appreciate an elegant touch of reduction, in this case, it completely overwhelmed any other aroma.

Label of Domaine des Carlines La Vouivre wine bottle featuring a detailed illustration with clouds and a snake intertwined with a heart, labeled as Chardonnay-Savagnin from Côtes du Jura.

The restaurant allows guests to taste each pairing before pouring a full glass, giving you the chance to request an alternative if a wine is not to your liking. Because the server insisted it was an excellent pairing, I mentioned I would decide after trying it alongside the food. When the dish arrived, however, it only aggravated the issue, making the wine seem distinctly bitter. I held off on eating while waiting for the waiter to return for our decision, but it took so long that the warm elements of the dish cooled down.

A gourmet dish presented in a round gray plate, featuring a slice of fish garnished with edible flowers, sauce, and green olives, alongside a golden breaded item, and a sprinkle of black crumbs.

Although I would have been fine finishing the dish with the replacement wine, the waiter insisted on bringing a fresh plate. The new wine—a blend of Chardonnay and Savagnin—was slightly oxidative, representing the polar opposite of the previous bottle. It proved to be a wonderful match for the outstanding dish: a barely scorched sardine paired with a veal brain fritter and ajo blanco, the Spanish cold almond soup, finished with olive oil. It made perfect sense that the nutty aromas and subtle oxidative notes of the wine harmonized so well with the almond milk. My friend doesn’t like veal brain and he had a deep fried zucchini flour that was stuffed with persillade instead.

A close-up image of a wine bottle label featuring the name 'Etna Rosato 2025' and 'Girolamo Russo', depicting a vineyard landscape with a mountain outline.

The next wine was an Etna rosé from Sicily, made from Nerello Mascalese with beautiful fruit aromas and a crisp, distinct acidity.

A plated gourmet dish featuring a round slice of meat topped with a condiment, accompanied by a decorative sauce swirl and a green garnish on a white plate. A small appetizer of a crispy base topped with herbs is positioned beside it.

It was a very good pairing for the guinea fowl stuffed with apricots and served with a sea urchin sauce infused with saffron and lovage. Yes, you read that correctly: guinea fowl with apricots and sea urchin. Who would have thought that would be such a delicious combination? To top it off, a delicious corn tortilla tostada was served on the side. By now we were regretting not having ordered all six courses.

Label of L'Expression de Sauternes, a 2023 Bordeaux wine, featuring the text 'Grand Vin de Bordeaux' and 'Appellation Sauternes Contrôlée'.

So we opted for cheese from the cart. As usual, I preferred to select cheeses from a single flavor category to ensure a good wine pairing. I therefore passed on the recommendation of Macvin (unfermented must fortified with Marc du Jura before aging in oak) and chose mostly blue cheeses instead, ordering a glass of Sauternes.

A plate featuring an assortment of five cheeses, including yellow and blue varieties, accompanied by a piece of dark grain cracker and a small dollop of red sauce.

We shared a single portion of cheese, which proved to be plenty as the serving was quite generous.

Close-up of a hand holding a wine bottle label from Ximénez-Spínola, featuring details about traditional xeres wine, including the words 'MEDIVM' and 'OLD HARVEST'.

The dessert wine was a PX Sherry that was medium sweet, rather than the dark brown, luscious PX often served with chocolate desserts.

A glazed brioche bun shaped like a heart on a black plate next to a round black dish containing a scoop of ice cream topped with crushed nuts and sliced fruit.

With its nutty aromas, it proved to be a good pairing for the dessert of peach with beurre noisette ice cream, candied lemon, almond, and shokupan, the Japanese milk bread. The dish was elegant and not overly sweet, which is precisely why it worked so well with the wine.

A plate featuring four small dessert squares: two yellow, one golden, and two dark chocolate squares, alongside a cup of espresso.

We finished with coffee or tea with some nice petit fours.

We had an excellent dinner at Kaagman & Kortekaas. Their motto is spot on. The adventurous ingredient combinations were certainly courageous, while the natural craftsmanship was evident in the impeccable quality of both the ingredients and preparation. The celebrated hospitality shone through attentive and friendly service, highlighted by the flawless way they handled my dislike of the reductive wine.

It is remarkable to find such an original, high-quality restaurant offering great value for money in an area dominated by tourist traps. Surprisingly, it wasn’t even fully booked—something it certainly deserves, even on a Tuesday night.

4 thoughts on “Dining in Amsterdam: Kaagman & Kortekaas

  1. Having difficulties creating contact today, so trying another time 😦 ! Have delightedly followed your degustation meals for many years with my pretty imaginative brain and food knowledge – this menu does make me shake my head in disbelief at some of the combinations 🙂 ! Cannot quite imagine sardines with a veal brain fritter or guinea fowl and apricots with a sea urchin sauce 🙂 ! Believe your palate and am trying to ‘taste’ from the other side of the world! How very interesting – great you have such choices in Amsterdam . . . trust you have had an enjoyable summer and daresay are looking forwards to a cooler autumn . . .

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  2. A tucked-away tasting-menu spot in the middle of all that Dam Square bustle is exactly the kind of place worth hunting down — the narrow-street ones so often turn out to be the memorable meals. ‘Courageous cuisine’ is a bold motto to live up to, and that chanterelle course everyone keeps mentioning has me curious. Filing this away for our next Amsterdam visit.

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